2025 | Of Dreams and Contempalation: I am All but a Story, The Private Museum, Singapore |
| ART SG, Richard Koh Fine Arts, Singapore |
2023 | Vietnam in Transition, 1976-Present, Wende Museum, Los Angeles, USA |
| From Root to Canopy, Galerie Quynh, Ho Chi Minh City, Vietnam |
| XEMX 5 Friends 10 Years Art Infinite, Nanyang Academy of Fine Arts, The Ngee Ann Kongsi Galleries 1&2, Singapore |
2020 | XEM Project, Sa Sa Art Projects, PhnomPenh, Cambodia |
2018 | The Cloud Atlas, Francois Schneider Foundation, Wattwiller, France |
| Alluvium, Galerie Quynh, Ho Chi Minh City, Vietnam |
2017 | SUNSHOWER: Contemporary Art from Southeast Asia 1980s to Now, Mori Art Museum, Tokyo, Japan |
| KE-HISTORYOFNOW, Wedeman Gallery, Newton, Boston, USA |
| Vietnam Eye: Blood, Sweat and Tears, Start Projects 2017, Saatchi Gallery, London, England |
| “InstanMì”, The Factory Contemporary Arts Center, Ho Chi Minh City, Vietnam |
2015 | Southeast Asia Platform, Art Stage Singapore, Singapore |
2014 | A Pocket Dictionary of Nha San, Nha San Studio, Hanoi, Vietnam |
| Vietnam Now: Changing Society, Canvas International Art, Amsterdam, Netherlands |
2013 | Censorship 2013 Move on Asia, Alternative Space LOOP, Seoul, Korea |
| Xem Publication Project, San Art, Ho Chi Minh City, Vietnam |
| Freedom is the Motobike, Art Gallery, Long Beach City College, California, USA |
| Electronic Pacific, SOMArts Cultural Center, San Francisco, USA |
2012 | To Bring the World into the World, curated by Biljana Ciric for Gendai Gallery, InterAccess Electronic Media Arts Centre, Toronto, Canada |
2011 | 36 Reasons Why We Still Need Superman, video art touring festival curated by Tim Crowley, Centro de Investigaciones Artisticas, Buenos Aires, Argentina |
2010 | VideoZone 5, the 5th International Video Art Biennial, various galleries, Israel |
| Daegu Photo Biennial, Daegu, South Korea |
| On Each Milestone, Japan Foundation Center for Cultural Exchange, Hanoi, Vietnam |
| Arts and Cities, Aichi Triennale 2010, Nagoya, Japan |
2009 | Connect: Art Scene Vietnam, ifa-Galerie Berlin, Germany; traveling to ifa-Galerie Stuttgart in 2010 |
| Magnetic Power, ASEAN – Korea Contemporary Photography & Media Art Exhibition, Coreana Museum of Art and Gallery Jijihyang, Seoul, Korea |
| Fluid Zone, Jakarta Biennale, Jakarta, Indonesia |
2008 | Post Doi Moi: Vietnamese Art After 1990, Singapore Art Museum, Singapore |
| Intrude: Art & Life 366, Zendai Museum of Modern Art, Shanghai, China |
| Strategies from Within - an Exhibition of Vietnamese & Cambodian Contemporary Art Practices, Ke Center for the Contemporary Arts, Shanghai, China |
| The Third Guangzhou Triennial, Guangdong Museum of Art, Guangzhou, China |
2007 | Migration Addicts (a collateral event of the 52nd Venice Biennale), Rokovoko by Mogas Station, Caffè Aurora, Piazza San Marco, Venice, Italy |
| Thermocline of Art. New Asian Waves, ZKM I Museum of Contemporary Art, Karlsruhe, Germany |
| Rokovoko (Mogas Station), City of Expiration and Regeneration, 2007 Shenzhen-Hong Kong Biennale, Shenzhen, China |
2006 | Liberation – 1st chapter of Saigon Open City, Ho Chi Minh City Fine Art Museum, Ho Chi Minh City, Vietnam |
| Belief, Singapore Biennale 2006, AART publication and installation Landing Zone by Mogas Station, Singapore |
2005 | Out of Context, Huntington Beach Art Center, Huntington Beach, California, USA |
| 600 Images/60 Artists/6 Curators/6 Cities, simultaneous exhibitions in venues in Bangkok, Berlin, Los Angeles, London, Manila and Saigon |
2004 | Best Regards and Be Resolved to Win (2002) presented in Asia, Now, Gyeonggi Arts Center, Suwon City, Korea |
2003 | Tree – focus from both sides, site-specific installation, Binh Quoi Village, Ho Chi Minh City, Vietnam |
2002 | The Wedding (1999) presented in ConversAsian, National Gallery, Grand Cayman Island |
2000 | God Creates Elephants, God Creates Grass, Nha San Duc Contemporary Art Studio, Hanoi, Vietnam |
1999 | Dialogue, Centro Cultural General San Martin, Buenos Aires, Argentina |
1998 | Inhale – Exhale, L’ Atelier, Hanoi, Vietnam |